E-MAIL NEWSLETTERS







There was an error processing this request. We cannot subscribe you to newsletters at this time. Please contact technical support with details.
MOVIES Sponsorship

AVERAGE USER RATING

RATE THIS ARTICLE

  • Email
  • Print
  • Discuss
Search The Bible   
Advanced Search
Product photo

September Dawn Sheds Light on Mormon-Led Slaughter

Annabelle Robertson

Crosswalk.com Contributing Writer

DVD Release Date:  January 1, 2008
Theatrical Release Date:  August 24, 2007
Rating:  R (for violence)
Genre:  Drama/Romance/Western
Run Time:  111 min.
Director:  Christopher Cain
Actors:  Jon Voight, Trent Ford, Tamara Hope, Lolita Davidovitch, John Gries, Terence Stamp

In 1857, on their way to California from Arkansas and Missouri, the Baker-Fincher wagon train made camp in Mountain Meadows, Utah.  On September 11, the group was brutally attacked by a Latter Day Saint (Mormon) militia disguised as Indians.  Several Paiute Indians joined the raid, which left 120 men, women and children dead.

The exact identity of the perpetrators—in particular, whether Brigham Young was actually involved—has been the subject of long debate.  Eventually, a Mormon leader by the name of John D. Lee was convicted of ordering the massacre.  He was put to death 20 years later at the site of the crime.

Writer-director Christopher Cain (Young Guns), father of Dean Cain (who plays Joseph Smith in the film), has plucked these events from history and transformed them into a memorial to the victims’ descendents (who are interviewed in one of the DVD extras).  Unfortunately, however, it’s cliché after another.

Led by Jon Voight, as a melodramatic General Jacob Samuelson, the actors play one-dimensional characters who utter predictable lines.  The emigrants are all portrayed as strong Christians who pray for their enemies; praise God for the Mormons; quote peaceful passages of Scripture; insist that judging is wrong; tolerate differences (including a pastor who has no problem with his daughter marrying a Mormon) and live happily together, without conflict.  With the exception of one young widower, who is jealous—but who later becomes a hero—they are the picture of perfection.

The Mormons, on the other hand, are all religious fanatics.  Excepting Samuelson’s young son Jonathan (Trent Ford), who falls in love with an emigrant pastor’s daughter (Tamara Hope), they are paranoid, secretive and consumed with anger against outsiders.  Their leaders insist that their every whim—including polygamy—is the will of God. Brigham Young (Terence Stamp) had 27 wives; Samuelson, 18—not including the one he was forced to abandon to Brigham, who proclaimed that to be God’s almighty will as well.

The Mormons condemn all “gentiles” to Hell during their prayers and blindly obey their leaders, without question.  None, save Jonathan, have any qualms about committing mass murder.  Even the Indians are straw figures who follow the Mormon leaders, without question.  Only John Gries, as Lee, shows a shred of nuance as the conflicted leader who carries out Samuelson’s deadly orders.

The film’s one redeeming quality is its cinematography, which offers stunning vistas of flower-filled meadows and soft nightscapes.  The kiss scene, in particular, was beautifully shot, with a river that frames and illuminates the embracing couple.  Kudos to Juan Ruiz-Anchia (Spartan) for that.

It’s unfortunate, but aside from the glaring script problems, the film’s heavy-handed religious bias robs it of any real value.  I’m frustrated by Hollywood’s ongoing insistence that evangelical Christians are all malevolent, so it’s nice to see them portrayed as good, honest people for once.  But just because the shoe is on the other foot in this film doesn’t mean I want to see another faith group scapegoated—especially against the backdrop of any so-called Christian perfection.  The gift of God’s forgiveness that we so freely proclaim hardly makes us sinless.  If anything, it makes us even more aware of our wrongdoing.

I don’t share the Mormon faith, and I am also greatly disturbed by this slaughter.  But good filmmaking means shunning stereotypes of all kinds—especially religious ones—and searching for the thread that connects people, making us unique and complex individuals of many stripes.  If Cain somehow believes he’s helping the Christian “cause” with this disturbing film, he is sorely mistaken.

DVD EXTRAS:

  • True Events:  An Historical Perspective
  • Descendants:  Remembering the Tragedy

CAUTIONS:

  • Drugs/Alcohol:  None.
  • Language/Profanity:  Harsh religious rhetoric.
  • Sexual Content/Nudity:  Full rear male nudity; discussion about “cuddling up” with multiple wives; a young woman slips off her sleeve and begins to bathe, implying upper nudity, while being watched by a young man; a teenage couple embraces several times.
  • Violence:  A dead body floats by in a river; leaders talk about killing as the will of God; dozens of men, women and children die—some brutally—during an attack; later, after succumbing to disturbing trickery and being separated from their children, men, boys, young girls and women are brutally shot (many at point-blank range), stabbed and beaten to death by armed men.
Most Recent User Comments
JonahsDive
1/14/2008 10:00 AM
I agree that it would have been refreshing to see a more even-handed treatment. The Christian communities at large did not always treat Mormons with love and acceptance, there was some violence, riots, harassment, etc. Joe Smith himself was killed in such a riot.

However, I applaud the subject matter of the film, as the Mormons themselves instigated violence and worse; by their ruthlessness and willingness to claim God's authority in anything, its easy to see how they were repellent to the communities around them.

As a history lesson it's good to see that Indians, Christians and Mormons and others were not all the politically correct versions you see today; however more reality and less stereotypes would make a better movie.
etalbott
1/11/2008 3:07 PM
To me, it seems you miss the point. The views may be biased in your view, and probably are. However, there is truth and there is falsehood, in religion as elsewhere. No matter how Mormonism is portrayed, it is a cult. Pure and simple, and should not be condoned to any degree. That may sound harsh and judgmental to some people in this age of "inclusiveness", but God does not make allowances for anything short of HIS truth. As for the nudity and other icky stuff, that alone should eliminate this film from the list of those to be viewed by any believer. Our spirits are corrupted by viewing this smut.
etalbott
Sign up to post your comments

It's quick and easy to register with Crosswalk.com! Just fill out the short form below. You'll have the opportunity to post comments, and be more involved in our community and forums. Plus, with this one account, you can sign in anywhere in our network of sites displaying the Salem All-Pass logo, including Oneplace.com, Christianity.com, Lightsource.com, Crosscards.com, and more!