If that's your kind of humor, Year One is for you, but its irreverence is often joined with sexual humor that will offend viewers who think certain subject matter is out of bounds. For instance, the lust-driven Zed at one point rhymes "Holy of Holies" with a graphic description of the male sex organ. Circumcision, orgies and virgin sacrifices are also part of the humor in Year One.
What isn't part of the package is any orthodox idea about God. Zed hedges his bets throughout the film, praying to "Almighty God … or gods." He's not sure how many deities there might be, or how they should be addressed, although he scoffs when Maya questions whether God might be female.
The episodic film tries to conclude with a takeaway point, but the best it come up with is Zed's declaration that although he's not specially chosen by God, "maybe we're all chosen" and can "make our own destiny." That universalistic, self-centered message is nearly as gag-inducing as the "ARK: Acts of Random Kindness" message that ends Evan Almighty, a previous big-budget, Bible-based comedy that tried hard to be family friendly but which watered down its humor and theology to the point where the film was perceived as a critical and financial failure.
Year One makes far fewer concessions to the family audience, although it could be much more explicit in depicting moral failings. Nevertheless, its failure to deliver consistent laughs only serves to highlight the film's theological content, which is rooted more in pop psychology than it is in Scripture.
Harold Ramis has made some great comedies (Groundhog Day) and some not so great comedies (Stuart Saves His Family). Year One falls somewhere on the lower end of the scale. Its take on the first book of the Bible might call to mind the description of the church at Laodicea in the last book of the Bible (Rev. 3:16): It's neither hot nor cold. If you take it in, you might want to spit it out.
Questions? Comments? Contact the writer at crosswalkchristian@verizon.net.
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