By-the-Books Smarts VS Life Experience Debated in "An Education"

By-the-Books Smarts VS Life Experience Debated in "An Education"

Christa Banister

Crosswalk.com Contributing Writer

Release Date:  October 9, 2009 (limited); currently playing in wider release in select cities (check local listings)
Rating:  PG-13 (mature thematic material involving sexual content and for smoking)
Genre:  Drama/Romance
Run Time:  95 min.
Director:  Lone Scherfig
Actors:  Carey Mulligan, Olivia Williams, Alfred Molina, Peter Sarsgaard, Dominic Cooper, Matthew Beard, Rosamund Pike

No doubt about it, growing up is hard to do, and that's probably why it's such well-covered territory at the movies.

But unlike your requisite John Hughes movie or even Diablo Cody's Oscar-winning script for 2007's Juno, An Education isn't about just another group of memorable hipster kids coming to grips with the ups and downs of high school life, complicated relationships with parents and the like.

Instead, An Education, which was based on a short memoir by British journalist Lynn Barber and adapted to screen by popular novelist Nick Hornby (About a Boy, High Fidelity) is really the decidedly retro story of an unlikely May-December romance (and no, we're not talking Cougar style here … the "December" here is actually the man).

In addition to having an excuse to serve up an old-fashioned love story complete with a gloriously throwback aesthetic a la TV's Mad Men, the movie also poses the age-old question of which educational experiences are really the most important—what happens in the classroom or outside of it in "the real world."

Speaking of "the real world," that's a place that 16-year-old Jenny (a delightful Carey Mulligan) can't wait to explore for herself. Just 16 and rather bored at her all-girls prep school, her overprotective daddy (Alfred Molina, whose skillful turn prevents what could've been a one-note performance) basically has her future planned out for her. And if that wasn't enough to indicate that her forthcoming rebellion was basically inevitable, she's always breaking the rules, whether it's smuggling in jazz records for her listening pleasure (her father prefers she indulge in only the classics) or acting out at school.

But when the "December," a smooth-talking, thirty-something named David (Indie darling Peter Sarsgaard) eventually enters the picture during a rainy walk home from her orchestra practice, Jenny finally starts getting "the education" she's always been wanting, one that's bursting with adventure, expensive gifts and a glimmer of hope for a future that doesn't involve working very hard for the pleasures that money and prestige can buy.

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