The social consequences of the Tuohys' decision are predictable. Leigh Anne's all-white social circle can't figure out a way to politely express their concerns (does Leigh Anne fear that her daughter might be sexually assaulted by Oher?) while the same daughter works up the courage to make a statement of solidarity with Michael by sitting next to him at school.
The Tuohys' altruism could be perceived as self-congratulatory, but the film presents the very real possibility that Michael might pack up and leave the Tuohys' home at any moment in an effort to track down his birth mom. Nevertheless, it's clear throughout the film who has the most to lose from such a decision, and it's refreshing when one of the white characters, prompted to extol her positive impact on the life of this less privileged athlete, comments that she's not changing him—it's the other way around.
Director John Lee Hancock, whose earlier film The Rookie (2002) was one of the best family-friendly films of the decade, guides Bullock and Aaron to fine performances, while McGraw and Kathy Bates are enjoyable, if a bit underused.
The Tuohys' strong Christian faith is evidenced mainly by their actions, although it filters through some of the dialogue as the characters struggle over what the appropriate Christian response should be to their situation. The film's treatment of religion, while not as explicit as some Christian viewers might hope, is marred only by a misquoted Bible verse on a school sign—a jarring error in this otherwise warmhearted, true-life crowd-pleaser.
Questions? Comments? Contact the writer at crosswalkchristian@verizon.net.
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