The problem is that the music, while well performed, doesn’t match the film. It’s hardly an Andrew Lloyd Webber musical, where each song advances the narrative. Here, they have all been shoved into the story, with varying levels of success. In some scenes, like the funeral, they flow. But in others, like the strawberries (which turn into bombs raining down on Vietnam), they feel forced and just ridiculous. The story thus grinds to a halt while the actors sing, before picking up again where it left off.
A nude couple makes love under water. An Uncle Sam poster comes to life, reaches out and begins singing. Underwear-clad soldiers haul a Statue of Liberty across a tabletop Vietnam. A half-dozen Salma Hayek nurse clones care for a wounded soldier, while an Imam priest dances and flies through the air. And so on. And on. For two very long hours and then some—way past the time this acid trip should have ended.
Like its many characters, Against the Universe is clearly against war of any kind, and this is conveyed, at times, with great creativity. Its message is also summed up in the final song: “All You Need Is Love.” Ah, but if only that were true.
Still, it isn’t as bad as you might expect. Director Julie Taymor (Titus and the Broadway version of The Lion King) has definitely stepped out of the box with these cinematic theatrics, which some will no doubt enjoy. Think Sergeant Pepper’s Lonely Hearts Club Band meets television’s The ‘60s—with a tablespoon of Hair, a teaspoon of Xanadu and a dash of Forrest Gump.
If you’re looking for a straightforward narrative—and musicals aren’t your thing—you’ll want to bypass this one. But if you’re a big Beatles fan and love all things ‘60s, this is definitely worth the trip. Goo goo g’joob.
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