DVD Release Date:  July 8, 2008
Theatrical Release Date:  March 28, 2008
Rating:  R (for graphic violence and pervasive language)
Genre:  Drama
Run Time:  113 min.
Director:  Kimberly Peirce
Actors:  Ryan Phillippe, Channing Tatum, Abbie Cornish, Joseph Gordon-Levitt, Victor Rasuk, Timothy Olyphant

The key line from Stop-Loss, the latest in a growing line of disappointing dramas about the war in Iraq, is no doubt hard to hear.  “F--- the president” drew applause from half the packed theater at a recent screening of the drama, but no applause greeted the conclusion of this unsurprising film.

The plot centers around the flight of Sgt. Brandon King (Ryan Phillippe), an AWOL soldier who is told on the day he thinks he’s returning full-time to civilian life that he’s instead heading back to Iraq for another tour; he’s been stop-lossed.

King objects vigorously to the order to return to Iraq. He’s been a good soldier, one his men look up to, even though his time in Iraq ends badly when he leads his men into an ambush. King’s objection to being stop-lossed is anchored in ideas of fairness. He’s served his time and fulfilled his obligation. Now he’s ready to return home. Who is the president to decide otherwise? While in Texas, King flees the Army and heads for Washington, D.C., determined to plead his case before a sympathetic legislator.

That idea is the film’s undoing. We never buy into King’s ability to avoid those looking for him. He visits with families of the fallen soldiers he once led, has close encounters with the law at his parents’ home and is conveniently out of his motel room when the cops show up and bang on the door. When calls to the elected official are brushed aside by a secretary, King pursues one final way to avoid further military service.

Along for the ride is Michele (Abbie Cornish), fleeing a relationship with King’s friend and fellow soldier Steve Shriver (Channing Tatum). She provides the film with a female presence, but her role is limited to stitching up King after he gets into a fight, and serving as an intermediary between King and those who are trying to woo him back home.

As with so many war films, tragedy is shown more through the prism of the effect of battles on these men than it is through the battles themselves. In this case, the film’s troubled vet, Tommy (Joseph Gordon-Levitt), is a drunk who’s clearly destined to come to a bad end. The only question is how quickly he’ll meet his Maker. But despite the predictable nature of that character, Stop-Loss sparks to life whenever Gordon-Levitt is on screen. One wonders how much more interesting a film centered on his character, rather than on King’s character, might have been.