Sounds like … sometimes worshipful, always melodic Brit-influenced pop/rock along the lines of Keane, Coldplay, Travis, Delirious, Tree63, and U2At a glance … Sound of Melodies is a great start for a promising new band, though it doesn't reveal a distinctive or pioneering musical identity for Leeland, too derivative of too many other equally talented bands in the last decadeTrack Listing Sound of Melodies Reaching Yes You Have Tears of the Saints Beautiful Lord Can't Stop Lift Your Eyes Hey Too Much How Wonderful Carried to the Table

Based on mounting buzz for the band all year, you'd think Leeland represented the Second Coming in Christian rock. That's hardly the case here, but there's no question that much is happening quickly and favorably for Leeland. There's also a lot to praise about their debut effort, Sound of Melodies.

Consider that Leeland Mooring, the band's lead singer and namesake, is only 17 years old. Having grown up traveling across America with his evangelist parents, the family eventually settled in Baytown, Texas to launch a church in 2000. About that time, Leeland started writing songs and honing his music skills. After entering a talent search, one thing led to another, attracting the attention of EMI Publishing President Eddie DeGarmo, producer Marc Byrd, Provident Music Group President Terry Hemmings, and even Michael W. Smith, who is collaborating with the young prodigy for his own album.

It was only a desire to play Leeland's music live that a five-piece band was formed through hometown friends, including older brother Jack Mooring on keys and backing vocals. One of their first official concert performances was at Gospel Music Week 2006, where the visibly moved showcase host—Mark Stuart of Audio Adrenaline—proclaimed that the audience had just witnessed something special and historical. Though it was an undeniably impressive set by the fledgling band, it brings us back to the matter of over-hype.

For sure, there are some truly outstanding songs on Leeland's debut, with a sound clearly influenced by the brightest and best of Brit pop/rock. The majestic title track in particular lives up to its name by matching an unbelievably contagious melody worthy of Keane with worshipful lyrics befitting an old-fashioned Baptist revival. Even more powerful is "Tears of the Saints," a prayer for the lost and the sort of anthem that ends up becoming a rallying cry for various ministries (like Natalie Grant's "Held" or Third Day's "Cry Out to Jesus"), delivered with the dramatic build of Coldplay or Snow Patrol. On the more upbeat side is "Reaching," a broken heart's cry to God that resembles the energetic push of Sleeping at Last's Ghosts and U2's All That You Can't Leave Behind.

Similarities to other bands don't stop there. "Yes You Have" combines Keane's ultra-catchy piano pop sound, not to mention Leeland's uncanny resemblance to lead singer Tom Chaplin, with Psalm-styled lyrics of praise. Like Travis, the band blends darkness with light and melancholy with joy for "Too Much." And the irresistibly sunny "Hey" is a fun proclamation of faith embracing that familiar Beatle-esque bounce that All Star United and recent power pop bands have perfected.