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Sunshine Cleaning

It shares a word ("sunshine") and an actor (Alan Arkin, again in a supporting role) with Little Miss Sunshine, but in Sunshine Cleaning lead performances from Amy Adams and Emily Blunt may yet vie for Academy recognition at next year’s ceremony.

 
Super 8

Super 8 is the kind of summer movie that made an entire generation fall in love with movies. The kind that didn’t just “wow” us but moved us, and meant something to us.

 
Super Size Me

I screened this movie right before a long car trip, and I was so revolted that I went out of my way to avoid fast food. “Super Size Me” isn’t a thriller, but it sure terrified me. And just between us, that’s a good thing.

  • Annabelle Robertson |
  • June 04, 2004 |
  • comments
 
Superman Returns

Superman Returns is the answer to many Christians' prayers — a major studio franchise, reinvented and re-imagined to appeal to Christian audiences. So it's worth asking: I s this it? Is this what we've wanted, what we've hoped for?

 
Surf's Up

Unlike Happy Feet’s heavy-handed commentary on the environment and animal rights, the messages in Surf's Up are far less controversial: a lifelong dream often involves risk, winning isn’t everything and respect for elders (and mentors) is essential for success.

 
Surfwise

Directed by Doug Pray, Surfwise is a bizarre and shocking, yet strangely fascinating documentary, about a narcissistic, controlling and charismatic man and the ongoing effects on his large family, dubbed “the first family of surfing.”

 
Surrogates

Rather than develop the more cerebral aspects of the story in the rushed, 88 minutes of Surrogates, director Jonathan Mostow (Terminator 3) substitutes action where thoughtful dialogue and exposition would have been more helpful.

  • Christian Hamaker |
  • September 25, 2009 |
  • comments
 
Surviving Christmas

With a lame plot and sets filled with the fakest looking snow I’ve ever seen on studio back-lots, everything in this 92 raunch-filled minutes screens as stale as a week-old cheeseball.

  • Annabelle Robertson |
  • October 22, 2004 |
  • comments
 
Suspect Zero

How do you begin to critique a film that attempts to frighten us into believing that evil is rampant and insurmountable, yet can’t even convince us that its plot is real? That’s the dilemma I’m faced with for “Suspect Zero,” and it’s not a good one. But then again, neither is this film.

  • Annabelle Robertson |
  • August 27, 2004 |
  • comments
 
Sweeney Todd: The Demon Barber of Fleet Street

Unfortunately, the torrents of blood make Sweeney Todd disgusting in several spots, so much so that the film cannot be recommended, despite outstanding production design by Dante Ferretti, striking cinematography by Darius Wolski, and Tim Burton’s deft direction.

  • Christian Hamaker |
  • December 21, 2007 |
  • comments
S movie titles
Sweet Home Alabama

Starring the smart, charming, comedic wonder Reese Witherspoon, this romantic comedy proves you can take the girl out of the South, but you can't take the South out of the girl.

 
Sweetest Thing, The

Cameron Diaz's latest is simply dreadful: an extreme amount of foul language, numerous sexual situations and more crude and crass dialogue than ever before.

 
Swimfan

Director John Polson's creepy thriller is a reminder of the harsh lessons of Fatal Attraction remade for a teenage audience in a morality play the younger generation will probably like.

 
Swing Vote

Weary of the 24/7 coverage of the upcoming presidential election and wondering if your vote really makes a difference anyway? Swing Vote is timely and just cynical enough to garner a few much-needed laughs as the race lingers on.

 
Switch, The

This is a comedy about bodily fluids, with a few funny moments that unfold during the switch that give the film its title. But this is also a character-driven comedy about a man's slow awakening to the possibility that he's found someone he can spend his life with, and a responsibility to someone other than himself.

  • Christian Hamaker |
  • August 20, 2010 |
  • comments
 
Synecdoche, NY

Charlie Kaufman has won praise as an innovative screenwriter for movies that took insightful looks into human nature without sacrificing the story. Now, marking the first time he’s directing his own screenplay, Synecdoche, New York, is missing the resonance of his earlier work.

  • Stephen McGarvey |
  • December 05, 2008 |
  • comments
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