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March 2011
Win Win Engages As a Slice-of-Life Dramedy

Win Win is an engaging slice-of-life dramedy about compromises and sacrifices, and how the former can compromise the latter.

 
Mars Needs Moms and Some Love

“My life would be so much better if I didn’t have a mom!” Martians see to it that this boy's "wish" comes true.

 
No Surprises in Big-Budget Battle: Los Angeles

This big-budget invasion flick offers no surprises. But if you’re into this sort of thing, Battle: Los Angeles provides exactly what you’re looking for.

 
The Scariest Part of Red Riding Hood is the Script

Apparently “the next big thing” is modernizing fairy tales. But not only is Red Riding Hood’s script virtually devoid of any charm, it’s wildly unfocused to boot.

 
Crudity and Cliché Found in Cedar Rapids

Striving to be a raunchy comedy with a heart of gold and despite sincere attempts at character development, Cedar Rapids ultimately undercuts its own potential and resorts to crudity and cliché.

 
Fate Goes Nowhere in The Adjustment Bureau

On the poster, it suggests that you should “fight for your fate.” That eventually sets the stage for a lively debate about fate and free will that never happens.

 
Rango More a Cinephile’s Dream

With striking framing and imagery, Rango will stir the souls of cinephiles with its visual references to the likes of Sergio Leone and John Ford, as well as non-Western films like Chinatown.

 
Beastly: A Tale as Old as Time, Updated

Beastly, a modern-day retelling of Beauty and the Beast, is a mostly sweet story in a prickly shell.

 
Grace Card Succeeds When Relationships in Focus

With noteworthy cinematography and acting, The Grace Card is a thought-provoking examination of faith and redemption.

February 2011
Drive Angry 3D Travels Far from Heaven

There's nothing more offensive about the new Nicolas Cage vehicle, Drive Angry 3D, than the thought of paying the inflated ticket prices to see the film in all three lurid dimensions.

  • Christian Hamaker |
  • February 28, 2011 |
  • comments
February 2011
Kings of Crass Stoop Lower with Hall Pass

With Hall Pass, the Farrelly Brothers return to what they know best. If anything, the success of The Hangover has empowered them to dream up even dirtier jaw-dropping antics.

  • Christa Banister |
  • February 25, 2011 |
  • comments
 
Know This: Unknown Lacks Any Real Thrills

Unlike the Bourne trilogy, Unknown lifts the missing identity premise but doesn’t bother giving the audience a thrilling protagonist or at the very least, a great car chase scene.

  • Christa Banister |
  • February 18, 2011 |
  • comments
 
Finale Gives Gusto to I Am Number Four

If you can get past the ludicrous set-up, you might find I Am Number Four has a few things working in its favor.

  • Christian Hamaker |
  • February 18, 2011 |
  • comments
 
Lack of Laughs Stings in Just Go with It

Adam Sandler is Danny, a loser who, after being jilted by his bride-to-be 20 years earlier, learns that single women are easier to bed if he wears a wedding ring and pretends to be married.

  • Christian Hamaker |
  • February 14, 2011 |
  • comments
 
Never Say Never a Revealing Look at Bieber-Mania

Justin Bieber... force of nature or flash in the pan? Never Say Never attempts to examine the life of America's latest teen sensation.

  • Christa Banister |
  • February 12, 2011 |
  • comments
 
Gnomeo & Juliet is Kid-Friendly Shakespeare

An update of the Romeo and Juliet story for the young set, Gnomeo & Juliet has several laughs and a mostly gentle spirit. If that’s what it takes to expose kids to Shakespeare, I’m all for it. The film certainly could have been much worse than it is.

  • Christian Hamaker |
  • February 11, 2011 |
  • comments
 
Cameron's Sanctum Sinks and Stinks

Those excited to see James Cameron's name associated with Sanctum shouldn't be fooled. He produced, but direction was left to Alister Grierson, who has only one previous feature under his belt.

  • Christian Hamaker |
  • February 04, 2011 |
  • comments
January 2011
Male Bonding Goes to the Extreme in The Mechanic

As in The Transporter, Jason Statham is clearly in his element when executing grueling feats of ridiculousness. And The Mechanic is certainly no exception.

  • Christa Banister |
  • January 31, 2011 |
  • comments
 
Faith Flourishes, Communism Withers in The Way Back

It deals with oppressive governments, the will to survive and the evil that men do. But it also soars with the power of faith and the hope that can keep us moving forward.

  • Christian Hamaker |
  • January 31, 2011 |
  • comments
 
The Rite Gets Only Some Things Right

While The Rite’s conclusion is somewhat gratifying, the supernatural thriller botches enough spiritual points along the way to make one wonder about its intentions.

  • Christian Hamaker |
  • January 28, 2011 |
  • comments
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Example: "Gen 1:1" "John 3" "Moses" "trust"
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