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July 2010
Nothing Remotely Spellbinding About The Sorcerer's Apprentice

Even with Jerry Bruckheimer's name attached to the project, there's nothing remotely spellbinding about The Sorcerer's Apprentice. It's a classic case of a clunky, horribly clichéd story further destroyed by a series of outlandish stunts and less-than-superb CGI trickery.

 
Despicable Me Doesn't Distinguish Itself From Better Alternatives

Despicable Me bears some resemblance to Pixar's The Incredibles and has some of the irreverence of the Shrek series, but feels more like a missed opportunity than a home run.

 
Airbender Ends Hopes for Shyamalan Resurgence

Director M. Night Shyamalan could use a hit, but his latest film, The Last Airbender, based on a Nickelodeon cartoon, is likely to cement his reputation as a filmmaker who peaked early and then crashed and burned.

June 2010
With Eclipse, Twi-Hards Have Met Their Perfect Match

From a purely technical perspective, Eclipse gives its devoted fanbase plenty to cheer about. Not only is the production value far more upscale, but the CGI has drastically improved, making it feel more like a blockbuster than a made-for-TV movie. As far as the storytelling goes, there's also far more at stake.

 
Lazy Grown Ups Still Good for a Few Laughs

The new Adam Sandler comedy Grown Ups is the movie equivalent of a skit that airs between 12:30 and 1 a.m. on Saturday Night Live. A lot of it falls flat, but if you're in a forgiving mood, you might find yourself chuckling despite your better judgment.

 
Tom Cruise is King in the Royally Entertaining Knight and Day

With this summer's light-as-air but still thoroughly enjoyable popcorn flick Knight and Day, Tom Cruise should officially be back in the audience's good graces. After all, this is the Tom Cruise we all like—funny, charismatic and yes, slightly unhinged.

 
Chilly Winter's Bone Gives Glimpse into Desperate Lives

Depicting the lives of the rural poor facing dire circumstances, Winter's Bone is not a pretty picture. Yet it is an artful film with a harrowing ending that delivers a punch to the gut that, unlike the effect of mainstream summer movies, lingers long after the closing credits.

 
Imagination Soars to Infinity and Beyond in Toy Story 3

With the release of Toy Story 3 almost 11 years after its predecessor, the franchise continues to soar to infinity and beyond, thanks to heartfelt storytelling, great celebrity voice talent and imaginative action sequences featuring Woody, Buzz and the rest of everyone's favorite toys.

 
Jonah Hex Adaptation Sputters and Stalls

This film has all the ingredients of a strong summer movie—it features a rising star (Josh Brolin) in the title role and Transformers It-Girl Megan Fox. Add John Malkovich to give it some serious-actor cred, and the on-screen energy should be combustible. But Jonah Hex is far from it.

 
Mysterious Ondine Takes a Surprising Turn

Ondine, writer/director Neil Jordan's tale of personal healing and recovery, is more art house than mainstream crowd-pleaser, although the film eventually develops a bit of an identity crisis. What appeared to be a sure-footed, imaginative tale becomes something harder and more of a genre exercise.

June 2010
Not Stimulating, The A-Team Still Gets a "B"

No, The A-Team is not a mentally stimulating movie, nor is it particularly creative, artistic, or complicated. Sure, the characters are one-dimensional, the story's been done, and the plot twists are predictable. But who cares? It's fun.

 
Jaden Smith, Jackie Chan Give Karate Kid a Little Kick

The screenwriters charged with rebooting The Karate Kid, starring Jaden Smith and Jackie Chan, stick with a faithful, almost scene-by-scene remake of the 1984 film that made Ralph Macchio and the expression "wax on, wax off" household names.

 
Raunch Knows No Bounds in Get Him to the Greek

A little bawdy humor goes a long way, and Get Him to the Greek goes much further than the bounds of good taste allow. That's part of the movie's calculus, of course—it offers scenes designed to shock, and scenes that will lead to can-you-believe-that moments of laughter.

 
Unoriginal Splice Falls to Pieces

Although not a terrible sci-fi film, Splice is unoriginal, as well as inconsistent. Its weakest segment, oddly, is when the overtly sexual aspects of DREN become part of the main plot. Rather than being erotic, these scenes come across as just comical. The movie loses all intensity, realism, and drama.

 
Killers Lacks Any Instincts—Acting or Otherwise

Ashton Kutcher may be the second most popular person on Twitter, but Killers is truly a movie only his mother could love. Not only is the flick sorely lacking instincts of any kind, but the only chuckle in this nearly plot-free endeavor is a wisecrack about his character learning his mad gun skills in 4-H.

 
Marmaduke is a Barkin' Good Time for Kids Only

Filled with madcap action and a happy ending you'll see coming from a mile away (this ain't Old Yeller, after all), Marmaduke is a movie your kids will probably love, but you'll barely suffer through, thanks to a slew of corny jokes and lame pop culture references.

May 2010
Prince of Persia Falls Short of Better Popcorn Movies

Has the elements of a successful formula film, but it sells short its best assets in exchange for tedious special effects designed to please those who enjoyed the video game on which the film is based.

 
Sex and the City 2 Even More Embarrassing Than Its Predecessor

For a show that's always championed the cause of sisters doin' it for themselves, Sex and the City 2 manages to derail that mission (and anything resembling good taste along the way) in an excruciatingly long two hours and 26 minutes.

 
It's a Wonderful Life in the Final Shrek

Shrek Forever After is a fun riff on It's a Wonderful Life. The film moves along at a nice clip, without straining for the rapid-fire pop-culture jokes that make so many Dreamworks animated films insubstantial.

 
SNL-Based MacGruber is Predictably Vulgar

From the standpoint of secular humor, it must be admitted that some of MacGruber can bring an unbidden grin to the face, accompanied by a blush. But from a Judeo-Christian standpoint, much of it is just too over the top to be appreciated or enjoyed. It will most definitely be offensive to most conservative viewers.

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