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Family Matters in The Descendants

While the quirky sensibilities of Alexander Payne’s previous efforts emerge here, The Descendants is his most tender film to date.

Happy Feet Two Lacks a Lightness of Step

The same characters are basically in place from its Happy Feet predecessor, but Happy Feet Two simply lacks a lightness of step.

Marilyn Well Acted but Inconsequential

My Week with Marilyn is frothy, passing by breezily and requiring little effort of its viewers to dig beneath the surface.

Young Adult Critiques Perpetual Adolescence

In Young Adult, arrested-adolescence behaviors movies tend to celebrate are seen as symptomatic of the protagonist’s deeper problems.

Melancholia Goes from Grim to Grimmer

Melancholia examines depression and cold-eyed rationality that grew from Lars von Trier’s own struggles with depression.

Legalism, Dancing Clash in Footloose Remake

The remake of Footloose is still a born crowd-pleaser nearly 30 years later, especially when everybody’s dancing.

Jack and Jill Goes Downhill in a Hurry

While there are definitely more laughs than expected, it still doesn’t take long for a juvenile Jack and Jill to go downhill.

Young People Love Like Crazy

What is love once a relationship’s initial heat cools into the long-term commitment a young couple thinks they want?

God Is for Us in VeggieTales’ Robin Good

Besides the major theme (there’s no hurt too big for God), Robin Good shares valuable lessons on forgiveness and friendship.

Hugo More Than a Film History Lesson

One of the year’s best family movies, Hugo ends as an engaging film-history lesson but also taps into deeper human emotions.

  • Christian Hamaker |
  • February 28, 2012 |
  • comments
Tower Heist a Perfectly-Timed Caper

In the era of Occupy Wall Street, Tower Heist ends up being a perfectly-timed, wish-fulfillment caper for the 99%.

Lives Are Changed Along The Way

Together a little band of pilgrims walk, drink, and fight their way along the road. But do they find what they’re looking for?

  • Susan Ellingburg |
  • February 21, 2012 |
  • comments
The Mighty Macs Is a Slam Dunk

Based on the true story of Immaculata College’s 1971-72 team, The Mighty Macs is the original Cinderella story in women’s basketball.

  • Susan Ellingburg |
  • February 21, 2012 |
  • comments
Like the Man, J. Edgar Is Flawed, Intriguing

An engaging depiction of a prickly, powerful man filled with all sorts of prejudice and contradiction.

  • Christa Banister |
  • February 21, 2012 |
  • comments
Not Much Story to Tell in The Rum Diary

While The Rum Diary hints at themes of political and corporate corruption, it never invites deeper analysis of its story.

  • Christian Hamaker |
  • February 14, 2012 |
  • comments
Twilight Dims with Breaking Dawn – Part 1

The first of the last of The Twilight Saga, Breaking Dawn – Part 1 is a violent, sexually-charged, blood-spattered film.

  • Susan Ellingburg |
  • February 11, 2012 |
  • comments
Anonymous Just Another Historic Mishmash

Even Anglophiles might get lost in this convoluted historical drama that thinks it’s clever, but is mainly just overheated.

  • Christian Hamaker |
  • February 07, 2012 |
  • comments
Double Life Proves Deadly in Drive

Unlike anything you’d see The Rock or Jason Statham starring in these days, Drive’s protagonist is far less flashy.

  • Christa Banister |
  • January 31, 2012 |
  • comments
In Time Ultimately Isn't Worth Yours

For all the clichéd dialogue about making time count, the filmmakers don’t make the most of their own opportunities In Time.

  • Christa Banister |
  • January 31, 2012 |
  • comments
The Big Year Is for the Birds

Despite starring comedians Steve Martin, Jack Black and Owen Wilson, The Big Year is shockingly devoid of big laughs.

  • Christian Hamaker |
  • January 31, 2012 |
  • comments
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