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Act of Valor Part of Elite Film Squad

Call it what you will, this is a stirring, patriotic depiction of men who carry out dangerous missions on behalf of their country.

Machine Gun Preacher Not a Misfire

Machine Gun Preacher hits its target, but as a model of bold faith, it raises more questions than it answers.

Safe House Might Leave You Feeling Queasy

Shaky-camera syndrome has taken hold of today’s action movies. And Safe House, directed by Daniel Espinosa, is no different.

Don't Fall for Man on a Ledge

Why do you go to the movies? To have a good time? To escape? To forget the worries of the day? If so, skip Man on a Ledge.

Coriolanus Could Make New Fans for the Bard

Directed by Ralph Fiennes, Coriolanus is a gripping, cinematic take on one of Shakespeare’s less frequently performed plays.

Secret World of Arrietty Is a Small Wonder

Small people with big hopes make up The Secret Life of Arrietty. Give it a chance, and it will enhance your sense of wonder.

Good Intentions Mostly Fall Flat in Red Tails

As the big-screen debut from Anthony Hemingway, with George Lucas as executive producer, what Red Tails lacks most is gravitas.

Daniel Radcliffe Fades in Black

The Woman in Black, Daniel Radcliffe’s first starring role since the Harry Potter films, offers few moments of genuine fright.

One for the Money Isn’t Worth Yours

Adapted from a Janet Evanovich novel, One for the Money is every Garden State stereotype strung together by a go-nowhere plot.

Disturbing Realism Recorded in Chronicle

Things go as well as you might expect in this story of teen boys who have overwhelming powers. Which is to say, not well at all.

A Very Blasé Albert Nobbs Isn’t Fooling

A transgender period piece—something you don’t see every day—Albert Nobbs isn’t fooling or shocking anyone, and it never will.

Love Binds Ever Sweetly in The Vow

Being everything a good love story should be, this sweetheart of a movie released in theaters just in time for Valentine’s Day.

Year Ends with a Thud in New Year’s Eve

Director Garry Marshall ups the ante from Valentine’s Day, recruiting half of Hollywood to star in this sentimental dreck.

Sound the Gong for Joyful Noise

Character conflicts have a disappointingly generic quality, while the humorous treatment of sexual sin is downright troubling.

Soderbergh’s Haywire Has Punch

Director Steven Soderbergh leaves the art house far behind for this well-executed action film of a private contractor wronged.

W.E. Looks Good but Ends Up Empty

Madonna and co-writer Alex Keshishian want us to care deeply, but the stakes laid out early in W.E. are poorly developed.

Nothing Adds Up in Lackluster Contraband

The story of a super smuggler who’s gone straight but is forced out of “retirement” to keep his family safe falls flat in a hurry.

Ghost Protocol Is a Mission Worth Accepting

There’s plenty of life left in the Mission: Impossible franchise, thanks to an inspired script and direction from Brad Bird.

Love Takes Center Stage in Born to Be Wild

Baby animals are nothing short of pure adorableness—something the documentary filmmakers definitely use to full crowd-pleasing effect in Born to Be Wild.

Streep Rules as Thatcher in The Iron Lady

There aren’t too many films that extol political conservatism these days, but those views are championed in The Iron Lady.

Example: "Gen 1:1" "John 3" "Moses" "trust"
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