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Family Ties Fought for in Brave

A terrific lesson about the mother/daughter relationship and the need for grace from both generations.

  • Susan Ellingburg |
  • November 13, 2012 |
  • comments
Savages Sinks Despite Stone

Though Oliver Stone re-establishes his directorial credibility, his young actors simply aren’t up to the task of carrying this morbid morality tale.

  • Christa Banister |
  • November 13, 2012 |
  • comments
The Laughs End Early in The Watch

If this is the best that Rogen, Stiller, Vaughn and Hill can come up with, the future of movie comedy should be left to others.

  • Christian Hamaker |
  • November 13, 2012 |
  • comments
Rebooted Spider-Man Fun, but "Amazing"? Nah

Gets less interesting as it goes, but it’s rarely boring. There's fresher popcorn to be found, but the craving is still satisfied.

  • Christian Hamaker |
  • November 09, 2012 |
  • comments
Meaning’s at the Heart of Arthur Christmas

Comic adventure turns into a heartfelt story about traditions, the meanings behind them and the relationships at their core.

The Campaign Doesn’t Deserve Your Vote

The occasional clever parallel to the current political climate is forgotten every time another jaw-dropping crack about sex or bodily functions occurs.

  • Christa Banister |
  • October 30, 2012 |
  • comments
Ruby Sparks but Doesn't Catch Fire

Though not without promise, the story and its moral feel more appropriate to a TV-length program rather than a feature film.

  • Christian Hamaker |
  • October 30, 2012 |
  • comments
Vampire Hunter Skirts Truth, Fumbles Fiction

Never finds the right balance between historical send-up and serious historical drama.

  • Christian Hamaker |
  • October 23, 2012 |
  • comments
Seeking a Friend Not the Usual Disaster Film

In this “disaster film,” it’s the three weeks before the forthcoming arrival of a 70-mile wide asteroid that count.

  • Christa Banister |
  • October 23, 2012 |
  • comments
League of Incredible Vegetables Defines Heroes as Those Who Trust God

Not the most incredible VeggieTales disc ever assembled, but an honest, earnest treatment of an important, practical topic (fear) makes it one of the most meaningful.

Madagascar 3 a Step Up from Predecessors

Has many inspired, imaginative moments that’ll keep audiences entertained for the short 85-minute duration.

  • Christa Banister |
  • October 16, 2012 |
  • comments
Artful Moonrise Kingdom a Story of First Love

When I see superior filmmaking like Moonrise Kingdom, I can’t help but wonder what it is that Wes Anderson’s imitators lack.

Obama's America Fills the Media's Blind Spot

2016: Obama’s America owes its phenomenal success more to the mainstream media than quality documentary making.

Sandler Sinks Even Lower with That's My Boy

The newest Adam Sandler film plunges not only to new depths of witless stupidity but out-and-out depravity.

Prometheus Offers Alternate Creation Story

Although it has several good performances, the story of Prometheus is a slap in the face to believers in a divine Creator.

  • Christian Hamaker |
  • October 09, 2012 |
  • comments
Debauchery, Decadence Rule in Rock of Ages

While the movie poster promises “nothin’ but a good time,” Rock of Ages is certainly not good cinema for the whole family.

  • Christa Banister |
  • October 09, 2012 |
  • comments
The Raven Not Worthy of Poe Legacy

If you see The Raven, you're likely to mutter the word from Poe’s well-known poem that shares this film’s title: "Nevermore."

  • Christian Hamaker |
  • October 09, 2012 |
  • comments
Eccentricity Doesn't Go Far in Dark Shadows

It’s about time the dynamic duo of Johnny Depp and director Tim Burton start seeing other people—professionally speaking, anyway.

  • Christa Banister |
  • October 02, 2012 |
  • comments
Life Proves Complicated for People Like Us

Its deft handling of complicated family situations makes People Like Us one of the best American films released so far this year.

  • Christian Hamaker |
  • October 02, 2012 |
  • comments
Sound of My Voice Only Sounds Intriguing

This thriller begins with an intriguing concept about the mesmerizing power of a cult-leader and then does nothing with it.

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