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You're Better Off Without Ted

Just when you think movies can't possibly get any dumber, Hollywood goes and outdoes itself with the R-rated comedy Ted.

  • Christa Banister |
  • December 11, 2012 |
  • comments
The Dark Knight Rises to the Occasion

If Christopher Nolan and his cohorts don’t get some Oscar love for this series finale, they’ve been cat-burgled.

  • Christa Banister |
  • December 04, 2012 |
  • comments
The Odd Life of Timothy Green Grows on You

Pushes its magicality almost to disbelief's breaking point, but a gifted cast helps the message go down like a spoonful of sugar.

  • Christian Hamaker |
  • December 04, 2012 |
  • comments
Hope Springs for Marriages, Rom-Com Genre

It’s not too far-fetched to suggest that this film could genuinely help couples, and even save some marriages.

Butter Anything but Smooth and Creamy

How do you make butter carving in Iowa interesting? That's the question, and the problem, with this jumbled genre-mash.

Beasts of the Southern Wild a Stunning Debut

Director Benh Zeitlin’s first feature is nothing short of stunning—one that holds as much promise as any debut in memory.

Dark but Imaginative ParaNorman is Outcast-Friendly

There’s a wonderfully relevant message tucked inside this piece of stop-motion animation, but it's more geared towards adults than kids.

  • Christa Banister |
  • November 27, 2012 |
  • comments
They Don't Make Shoot-Outs Like Lawless Anymore

If the story packs in too many characters and feels a bit unbalanced, it pays off handsomely with a classic shootout that thrills in its simplicity.

  • Christian Hamaker |
  • November 27, 2012 |
  • comments
Family Ties Fought for in Brave

A terrific lesson about the mother/daughter relationship and the need for grace from both generations.

  • Susan Ellingburg |
  • November 13, 2012 |
  • comments
Savages Sinks Despite Stone

Though Oliver Stone re-establishes his directorial credibility, his young actors simply aren’t up to the task of carrying this morbid morality tale.

  • Christa Banister |
  • November 13, 2012 |
  • comments
The Laughs End Early in The Watch

If this is the best that Rogen, Stiller, Vaughn and Hill can come up with, the future of movie comedy should be left to others.

  • Christian Hamaker |
  • November 13, 2012 |
  • comments
Rebooted Spider-Man Fun, but "Amazing"? Nah

Gets less interesting as it goes, but it’s rarely boring. There's fresher popcorn to be found, but the craving is still satisfied.

  • Christian Hamaker |
  • November 09, 2012 |
  • comments
Meaning’s at the Heart of Arthur Christmas

Comic adventure turns into a heartfelt story about traditions, the meanings behind them and the relationships at their core.

The Campaign Doesn’t Deserve Your Vote

The occasional clever parallel to the current political climate is forgotten every time another jaw-dropping crack about sex or bodily functions occurs.

  • Christa Banister |
  • October 30, 2012 |
  • comments
Ruby Sparks but Doesn't Catch Fire

Though not without promise, the story and its moral feel more appropriate to a TV-length program rather than a feature film.

  • Christian Hamaker |
  • October 30, 2012 |
  • comments
Vampire Hunter Skirts Truth, Fumbles Fiction

Never finds the right balance between historical send-up and serious historical drama.

  • Christian Hamaker |
  • October 23, 2012 |
  • comments
Seeking a Friend Not the Usual Disaster Film

In this “disaster film,” it’s the three weeks before the forthcoming arrival of a 70-mile wide asteroid that count.

  • Christa Banister |
  • October 23, 2012 |
  • comments
League of Incredible Vegetables Defines Heroes as Those Who Trust God

Not the most incredible VeggieTales disc ever assembled, but an honest, earnest treatment of an important, practical topic (fear) makes it one of the most meaningful.

Madagascar 3 a Step Up from Predecessors

Has many inspired, imaginative moments that’ll keep audiences entertained for the short 85-minute duration.

  • Christa Banister |
  • October 16, 2012 |
  • comments
Artful Moonrise Kingdom a Story of First Love

When I see superior filmmaking like Moonrise Kingdom, I can’t help but wonder what it is that Wes Anderson’s imitators lack.

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