Chéri is a period-piece about shallow, immoral and deceptive people, yet its ultimate observations are deep, its resolution moral, and its strength is in how deceptively it reaches those conclusions.
As with all comedies built on outrageous gags, Brüno goes too far. There are a few laughs along the way, but a larger cost to be paid. One can only imagine what further images will comprise future “outrageous” comedies now that Brüno has lowered the bar.
Filmmakers decided Jodi Picoult’s novel, My Sister’s Keeper, had big-screen potential. They also agreed that the original ending was a little too much. So in a move that’s been widely debated online, the story’s conclusion has been softened a little.
Certainly Sam Mendes' direction in Away We Go bears part of the burden of the film's success. And while his guidance is certainly found wanting, the mood Mendes sets largely masks what is a superficial and absurd concoction.
Whatever Works sums up the philosophy of the film’s main character and of director Woody Allen himself. The filmmaker has lived out a no-judgments view of human nature that is reflected in his film scripts and characters.
Just in case you’ve ever wondered what it’s like to watch someone else play videogames for two and a half hours, sitting through Transformers: Revenge of the Fallen will definitely satiate your curiosity.
- June 24, 2009 |
While it's been said there aren't nearly enough good parts for women over 40, surely, there's much better material out there than The Proposal. And if not, then maybe all actors should take a hiatus from romantic comedies until Nancy Meyers or Nora Ephron get around to writing something new.
- June 19, 2009 |
Year One is not the story of Adam and Eve but of Zed and Oh (Jack Black and Michael Cera, respectively), a primordial tale of male friendship with the requisite fart jokes and sexual boasting that characterizes modern tales in the same genre.
- June 19, 2009 |
Eddie Murphy’s previous efforts in family films have left a lot to be desired: stories really worth telling and a heartbeat beyond those gimmicky attempted laughs. Fortunately for Murphy, Imagine That has both in spades.
The Taking of Pelham 123, a remake of a 1974 film that starred Walter Matthau and Robert Shaw, has two solid lead performances from Denzel Washington and John Travolta but suffers from certain excesses common to modern-day action films.
Many squeamish moments aside, Food, Inc. is still a great example of informative, compelling filmmaking, aside from those occasional diversions into boring pie chart territory à la An Inconvenient Truth.
Unlike the smart writing and savvy direction of Star Trek, Land of the Lost only has Will Ferrell's over-the-top attempts to deliver the funny. And when some of the movie’s biggest laughs involve Matt Lauer, you know you're in trouble. Deep trouble.
In My Life in Ruins, characters are the most broad versions of themselves—well suited for a short sketch but insultingly flat for a feature-length film. It's comedy-as-cliché, sticking solely to slapstick and stereotypes and lacking any hint of dimension.
Much like the trailer for Marley & Me, which was all doggie cuteness without any indication of the sadness waiting in the wings, there’s so much more to Up than balloons and barbs traded between an over-eager boy scout and a grumpy old man.
- May 29, 2009 |