Eddie Murphy’s previous efforts in family films have left a lot to be desired: stories really worth telling and a heartbeat beyond those gimmicky attempted laughs. Fortunately for Murphy, Imagine That has both in spades.
The Taking of Pelham 123, a remake of a 1974 film that starred Walter Matthau and Robert Shaw, has two solid lead performances from Denzel Washington and John Travolta but suffers from certain excesses common to modern-day action films.
Many squeamish moments aside, Food, Inc. is still a great example of informative, compelling filmmaking, aside from those occasional diversions into boring pie chart territory à la An Inconvenient Truth.
Unlike the smart writing and savvy direction of Star Trek, Land of the Lost only has Will Ferrell's over-the-top attempts to deliver the funny. And when some of the movie’s biggest laughs involve Matt Lauer, you know you're in trouble. Deep trouble.
In My Life in Ruins, characters are the most broad versions of themselves—well suited for a short sketch but insultingly flat for a feature-length film. It's comedy-as-cliché, sticking solely to slapstick and stereotypes and lacking any hint of dimension.
Much like the trailer for Marley & Me, which was all doggie cuteness without any indication of the sadness waiting in the wings, there’s so much more to Up than balloons and barbs traded between an over-eager boy scout and a grumpy old man.
- May 29, 2009 |
Can lightning strike twice in the same place? It can if you switch locations and seriously revamp the storyline, which is exactly what the filmmakers smartly did this time around in the sequel, Night at the Museum: Battle of the Smithsonian.
- May 22, 2009 |
Management is a great example of the power of casting. By giving Steve Zahn the starring role alongside Jennifer Aniston, we become witness to an unexpected, winning chemistry, thanks in part to impressive performances from lead actors and stellar supporting work.
- May 18, 2009 |
A favorite sci-fi franchise is reborn with Star Trek, director J.J. Abrams' take on the early days of James T. Kirk, Spock and the other well-known crew members aboard the U.S.S. Enterprise. The film’s fresh approach to the well-worn franchise takes viewers back to the origins of the crew's beloved characters.
- May 08, 2009 |
Unlike last year's Iron Man, a perfect blend of larger-than-life popcorn movie with a coherent, intriguing storyline, X-Men Origins: Wolverine is nothing more than a series of special effects eventually wasted on a predictable script.
The jokes and discussion about the main character’s sexual escapades push Ghosts of Girlfriends Past well into “PG-13” territory. But the central character’s transformation, while predictable, gives the film a bit more depth than might be expected.
From beginning to end, Jesus People, pokes some fun at the idiosyncrasies of mixing faith and art in the Christian music industry. But unlike, say, 2004’s Saved, those providing the tongue-in-cheek commentary don’t mock God in the process.
- April 27, 2009 |
The Soloist entertains and inspires with its pitch-perfect portrayal of redemption between an unlikely duo. And for Christians and otherwise, it’s also a powerful reminder that authenticity and not bailing when the going gets tough is always the best way to live.
- April 24, 2009 |
Like its predecessor, Crank: High Voltage is the twenty-first century equivalent of ‘70s exploitation B-movie cinema—but taken to a whole other graphic level. It’s utterly pointless, intentionally ridiculous and very explicit as it revels in sex, guns and blood.
- April 20, 2009 |