In Away from Her, the depiction of a 44-year marriage devastated by the onset of a degenerative condition may be smart counterprogramming—especially for adults and older teens looking for a respite from the youth-oriented movies that dominate the screens each summer.
- May 18, 2007 |
Writer/director Luc Besson developed this script from two of his children’s books. As his first attempt at CGI, Arthur isn’t terrible, but it’s also not very inspired. The bigger problem is the subject matter itself with a plot arc so shaky, Besson seems to have haphazardly thrown it all together.
- May 17, 2007 |
This film’s plot is so sparse that the main characters don’t even have names. But that doesn’t matter at all. Once is a short, but straightforward, story about two people who are looking for love, though neither realizes it, and who live and view the world through music.
- May 16, 2007 |
The Painted Veil is one of those visual and cinematic masterpieces that we rarely see today. It’s uncomfortable, but it conveys how complex relationships—and emotions—truly are.
Georgia Rule is a super-heavy downer with a high cringe factor and a steady infusion of crassness and perversion. Yes, there are important lessons to be learned about relationships and generational patterns, but it’s not worth the ride to get there.
Despite an engaging storyline and well-crafted performances all around, a particularly skewed worldview is what ultimately makes Waitress so disturbing to watch as a Christian.
Director Danny Boyle’s terrifying vision of societal decay and survival of the fittest reinvigorated the horror genre in 2003 with 28 Days Later. Now, its sequel, 28 Weeks Later, introduces a stronger family dynamic than its predecessor.
While there’s certainly some important, timely lessons to be learned about how not to evangelize or the power of forgiveness, the worst flaw of Hidden Secrets is the lackluster script.
- April 30, 2007 |
The Queen provides the perfect opportunity to discuss the role of our leaders. Do they exist to lead or serve us? And how might that look, during our times of national crises? This well-made, amusing and thoroughly engaging film nudges us to wonder.
Some plays make the transition to the big screen with great triumph. Others, like "The History Boys," are not as successful. On-screen, the six-time Tony-award winning play feels like a filmed play without any cinematic adaptation.
In "The Last King of Scotland," director Kevin MacDonald shows a bit too much torture and dismemberment, but his talent is evident and his message is important. It’s not so much about brutal dictators as it is about Western arrogance.
Fracture gives Anthony Hopkins his juiciest role in years. Although lagging for stretches, the movie is worth seeing for its portrayal of villainy and the cat-and-mouse legal game that will keep viewers guessing until the final moments of the film.
Written, directed and acted by the same team that gave us the hilarious zombie spoof, Shaun of the Dead, Hot Fuzz is sure to please fans of parody as well as horror and cop movies. Think Monty Python meets Bad Boys II meets Halloween IV, and you’ll get the idea.