Taking its cues from fast-talking screwball comedies of years past, Leatherheads is a sports-themed battle of the sexes that largely succeeds because of the chemistry of its leads—George Clooney and Renée Zellweger.
Winning big isn’t that easy, unless you happen to be a math whiz with a knack for counting cards. Based on the true story of MIT students who actually managed to beat the Vegas system, 21 is a slickly crafted cautionary tale of greed and gambling.
Stop-Loss, the latest in a growing line of disappointing dramas about the Iraq war, centers around the flight of an AWOL soldier. On the day he thinks he’s returning full-time to civilian life, he’s told instead to head back to Iraq.
With the basic elements of most Lifetime made-for-TV movies, a slow-moving Sleepwalking keeps getting worse as the minutes tick by. Not only is the writing formulaic, but the situations are so unbelievably horrible that even when redemption seems in sight it never materializes.
Based on the charming Dr. Seuss book from 1954, Dr. Seuss’ Horton Hears a Who! is a fun movie for all ages. The animation feels just like the book, and the screenwriting (with all of those in-between lines and side stories) is clever.
- March 14, 2008 |
The Secret Things of God is an inspired approach to evangelism, and it works extremely well. This DVD could serve as a great focal point for church outreach events. It is also the perfect discussion tool for friends who’ve become entranced by The Secret.
- March 11, 2008 |
10,000 B.C. works as sheer spectacle, but its story is forgettable. Its unknown actors make an impression because of their striking looks, but it’s hard to fathom what their future roles might be based on this special-effects driven extravaganza.
What ultimately lifts Penelope from been-there-seen-that, “believing in yourself” status are the charming performances from leads Christina Ricci, James McAvoy—and even Penelope’s hideously superficial mother, played by Catherine O’Hara.
- March 02, 2008 |
What could have been a forgettable thriller, Vantage Point instead gives the audience something to puzzle over. Such a film certainly takes advantage of the current popularity of “tell the story out of order” television shows like “Lost.”
- February 22, 2008 |
Be Kind Rewind starts as a tale about the passing of the torch and serves as a wistful look at the fading days of video-rental shops. It evolves into a sci-fi slapstick comedy before settling into a series of cinematic recreations that play like gag reels. Yet somehow, the whole is greater than the sum of its parts.
- February 22, 2008 |