Echoes of the prodigal son parable abound in the latest crime film by director-screenwriter James Gray. Although the plot isn’t brilliant and suffers from obvious contrivances, it’s still an engaging spectacle.
- October 12, 2007 |
Elizabeth: The Golden Age is a fascinating, nearly perfect film. It’s always wonderful to tie history to entertainment, and the history of Europe in the 1500s is very exciting. The movie unfolds the age-old conflict between Protestants and Catholics, and shows how each side is praying for victory.
- October 12, 2007 |
These days we certainly seem to be mad about Jane … Jane Austen that is. Yet it's hard to imagine either the author or her fans particularly enthusiastic about The Jane Austen Book Club, the latest entry in the ever-growing list of Austen-themed films.
Based on the novel by Susan Cooper, The Seeker: The Dark Is Rising is the first film adaptation of the author's five-book series. Apparently the filmmakers have softened the overtly magical elements of the books and instead emphasize bravery, faith, discernment and unity.
In The Heartbreak Kid, all the Farrelly Brothers seem to be concerned about is pushing the proverbial envelope and taking potshots against marriage, which makes the film merely a rude and crude excuse to exercise the full limits of the “R” rating.
The Assassination of Jesse James by the Coward Robert Ford examines how entertainment culture exploits historical truth. The result is a beautiful, slow-paced examination of the wages of sin, and the conflicted role of the public and its view of history.
Portrayed by Ron Livingston, Richard Pimentel is largely credited with the passage of the Americans with Disabilities Act in 1990. Music Within, written by novice screenwriters and directed by the equally inexperienced Steven Sawalich, tells his story.
- October 01, 2007 |
While bordering on the cheesy and laying the cute on thick, The Game Plan is still a fairly solid choice for amusing family entertainment. What’s refreshing is the noticeable lack of curse words and rude humor typically used to cover up plot holes.
In The Kingdom, the underlying theme is that all people are basically alike with the same loves, hates and desires. The problem is that it tries too hard to make Islam noble and beautiful. A film showing just as many scenes of praying, kneeling and supplication in an American church would never get made.
The Greek meaning of entertain is “to inform with delight.” Lord willing, a new generation of filmmakers will begin turning the pendulum and elevating the hearts and minds of their patrons, rather than bringing them further into the gutter with films like Good Luck Chuck.
Sean Penn is one of the most talented screenwriters and directors in Hollywood, and this film may be his best yet. It’s longwinded and a bit rambling, and he romanticizes what most will consider a reckless, self-indulgent quest. But it’s a very worthy film nonetheless.
This left-wing propaganda film preaches the following message: If you are stupid enough to send your son to war in Iraq, there’s a high chance he will do drugs, torture the enemy for fun and turn so psychotic that he’ll learn to cooly murder his fellow soldiers for no good reason.
With the white-knuckle suspense of Flightplan, the “keep it real” radio host vibe of Talk to Me, and the terrifying psycho-thriller shock effect of Mr. Brooks, The Brave One is a well-crafted, entertaining film marred by excessive foul language, violence and a dark worldview.
If you’re looking for a straightforward narrative—and musicals aren’t your thing—you’ll want to bypass Across the Universe. But if you’re a big Beatles fan and love all things ‘60s, this is definitely worth the trip. Goo goo g’joob.
Even with the star power of Richard Gere and Terrence Howard, The Hunting Party is so cynical and profane that it largely fails to entertain or inform. This “hunt” is long, slow and dull—a party full of unlikable people that make a night at home a preferable alternative.
Even under the careful eye of director James Mangold, the script for 3:10 to Yuma lacks a focused, coherent plot. And without that, even stellar performances from Russell Crowe and Christian Bale can’t make up the difference.
This film could have easily been melodramatic, which would have relegated it to an “After School Special.” Instead, Stephanie Daley offers an excellent character study and a glimpse into the world of teenage pregnancy—with a powerful message about why it should be avoided at all cost.