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Movies at Home Archives
Murphy’s Latest Not Worth
A Thousand Words
They say a picture is worth a thousand words. I’d say Eddie Murphy’s A Thousand Words, is worth two: don’t bother.
Big Miracle
Is Hardly a Whale of a Tale
Big Miracle wants to be a whale of a tale with its heart in the right place, but the execution leaves more to be desired.
Wanderlust
Takes an Uncomfortable Journey
The laughs in Wanderlust are largely in the service of bawdy, R-rated material that makes this film difficult to recommend.
Jeff, Who Lives at Home
Searches for Meaning
With the film Jeff, Who Lives at Home, we’re introduced to yet another grown man with a perpetual case of Peter Pan syndrome.
Second
Sherlock
Still Has Plenty of Spark
Were filmmakers able to capture lighting in a bottle yet again with Sherlock Holmes: A Game of Shadows? The answer is yes.
John Carter
Is as Plain as the Name
The story never quite comes together in the big-budget John Carter, leaving a dissatisfying sense of what might have been.
Act of Valor
Part of Elite Film Squad
Call it what you will, this is a stirring, patriotic depiction of men who carry out dangerous missions on behalf of their country.
Machine Gun Preacher
Not a Misfire
Machine Gun Preacher hits its target, but as a model of bold faith, it raises more questions than it answers.
Safe House
Might Leave You Feeling Queasy
Shaky-camera syndrome has taken hold of today’s action movies. And Safe House, directed by Daniel Espinosa, is no different.
Don't Fall for
Man on a Ledge
Why do you go to the movies? To have a good time? To escape? To forget the worries of the day? If so, skip Man on a Ledge.
Coriolanus
Could Make New Fans for the Bard
Directed by Ralph Fiennes, Coriolanus is a gripping, cinematic take on one of Shakespeare’s less frequently performed plays.
Secret World of Arrietty
Is a Small Wonder
Small people with big hopes make up The Secret Life of Arrietty. Give it a chance, and it will enhance your sense of wonder.
Good Intentions Mostly Fall Flat in
Red Tails
As the big-screen debut from Anthony Hemingway, with George Lucas as executive producer, what Red Tails lacks most is gravitas.
Daniel Radcliffe Fades in
Black
The Woman in Black, Daniel Radcliffe’s first starring role since the Harry Potter films, offers few moments of genuine fright.
One for the Money
Isn’t Worth Yours
Adapted from a Janet Evanovich novel, One for the Money is every Garden State stereotype strung together by a go-nowhere plot.
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